Amplify
-
We think artists sometimes design their marketing around what feels right for the show, without thinking enough about what will actually make someone stop and pay attention.
Good theatre marketing needs to do both.
It's the first touchpoint between your show and an audience. It should tell people what the show actually is, but it should also put your best foot forward.
“Don't judge a book by its cover” is a lovely sentiment. Unfortunately, people do judge books by their covers. And they judge theatre shows by their posters.
That means thinking carefully about your positioning, your imagery, your words and how everything works together. A poster, website, social campaign, trailer and ticketing page shouldn't all feel like separate things. They should work together as one campaign.
We can help with the strategy, or we can get stuck into the doing.
That might mean identifying your audience, building a campaign, writing social content, running paid advertising, improving your website and SEO, writing ticketing copy, coordinating print or looking at the data to work out what's actually working.
We can also help artists think about their own presence online. Personal brands matter more than ever, particularly for emerging artists, and you don't have to become a full-time content creator to make yours work harder.
-
Marketing gets people interested. PR can give them another reason to care.
Rhys has built relationships with press, reviewers, interviewers and other media contacts across theatre, comedy and the Edinburgh Fringe. He can help you work out what your story is, find the hook and figure out who might want to tell it.
We can write or audit press releases, build media lists, pitch stories, approach reviewers, arrange interviews, target regional press for touring work, work with content creators and influencers, and help with award submissions.
We're particularly interested in the creative side of PR: what is the story behind your show that someone would actually want to write about?
Sometimes the hook is obvious. Sometimes it takes a bit of digging.
-
The best campaigns don't treat marketing and PR as separate jobs.
The way you describe the show should inform the press pitch. The press coverage should feed the marketing. The audience you're trying to reach should shape both.
We can take the whole thing on, work alongside you, or simply be the person in the middle making sure all the different pieces are pulling in the same direction.
You make the show.
We'll help people notice it.
Recent results…
At Edinburgh Fringe 2026, Rhys secured the following for the artists he worked with:
2 preview features and “Must See” listings
2 preview interviews
25 reviews
3 podcast features
Rhys also worked on the London run of “The Van Gogh Shogh”, securing review and preview coverage outside the Fringe environment.
For Alastair Clark's “On the Record”, he worked on the record shop tour, securing reviews and preview coverage across the run.